More Liverpool Lurve

 A Pair of Passing Superlambananas at Runcorn Station

 

After visiting the Gormleys at Crosby beach, we headed back into Liverpool to the Maritime Museum at Albert Dock.  We were woefully short of time there, and have planned to head back soon.

The perspex figure of Aphrodite comes from the liner Reina del Mar.  The anchor below is from the Conway; you can get an idea of its size from the teeny pedestrians next to it.

In the dusk below you might just about be able to see two Liver birds.  (For those of you of "a certain age" - myself included - apologies for that earworm I've just introduced "What's got four arms, longs to grab ya, answer is two Liver birds...")

From our lofty perch in the restaurant, I ordered what the menu described as mini cakes.  The waitress apologised that they weren't exactly mini.  OH managed to finish them off, with the exception of the banana cake.  After a plate of brownies.

We heard a distant hooting, and the yellow duck boat plunged into the dock (on purpose, I hasten to add).

Finally we grabbed a cab to the Philharmonic.  At the traffic lights, the cabbie turned around, looked at us carefully and asked if we meant the pub rather than the orchestra...  "The Phil" is architecturally gorgeous, with the men's loos being so spectacular that women are invited to go and view.  I passed up on the offer, but OH assures me that they were fabulous.  The main room and bar are both gorgeous, and it was a perfect end to the day to snuggle up in some wing chairs with a drink.   The decoration is called the "murmur of the sea" and features mermaids to the left and mermen to the right.  Look at that gorgeous ceiling...

Holding Mr Gormley's Cold Cast Iron Hand

Waiting for the tide

Today I met some of Antony Gormley's cast iron, life size figures, which are spread out the foreshore at Crosby.  Known as Another Place, the installation is made up of 200 figures, all made from casts of the artist's own body, and shown at different stages of rising from the sand.  

Number 21 and I get acquainted.  

Antony Gormley states that Another Place "harnesses the ebb and flow of the tide to explore man's relationship with nature", saying: 

"This sculpture exposes to light and time the nakedness of a particular and peculiar body. It is no hero, no ideal, just the industrially reproduced body of a middle-aged man trying to remain standing and trying to breathe, facing a horizon busy with ships moving materials and manufactured things around the planet."

I don't remember when the awareness of Another Place first seeped into my consciousness, but I do know that it's been on my bucket list for some time.  We had hoped to drive to Crosby last month when we were in Chester, but were thwarted by snow, and lots of it.   Armed with a cheap rail ticket offer from London Midland, today was the day to go and meet the Gormleys.

Eager to see them, I fairly bounded up Hall Road to the coastguard station.  And there they were, as starkly outlined as I'd imagined against a low tide, the industrial landscape, and a line of wind turbines.

I had heard that they spent some time dressed up, and Number 22 had a particularly fetching outfit for the day, although somewhat unsuited for the weather.

His poor feet looked very chilly, and I loved the way that the sea life had taken over.

 

Number 22's bracelets: the original and the new.

This may sound rather odd, but tonight I feel strangely content.

Tomorrow - the superlambananas, some perspex, and more of Liverpool...

Bad Day at the Office

Firstly, that's a bit tongue in cheek; there are no major crises here.

But March's journal page for the 2011 Calendar challenge (see the Kathryn Wheel button to the right) has turned out rather badly.

I had in mind a lovely green and yellow page, delicate, springlike and stamped with flowers to act as day markers. As I didn't have enough pale inks, what I got was something that had been left in the coffee machine too long and went mouldy (charming thought, I know, but strangely accurate - and don't ask how I know).  Here's the offending item.

So the good news is that I get to do it again.  Hopefully without the contents of an ancient sump.

But it won't be tomorrow.  Tomorrow I get to do something I have wanted to do for a long, long time.  If I tell you that by tomorrow lunchtime, I hope to be holding the hand of a man on a beach (and not OH's hand either) would you be able to guess...?

I'll show you the object of my desire tomorrow.

WOYWW: Craft Hobby and Stitch International - The Reading Pile

I missed you all last week.  Wednesdays aren't quite the same without a wander around the desks of the crafty, ooohing and aaahing at tidyness, disorder, new crafty stash and other people's makes.  To see more crafty desks, you need to call in on our esteemed leader Julia, at the WOYWW button to the left.

Today's picture is really dim, because I forgot to take it while there was still plenty of light in the hall.  Doh...  It is approximately half of the catalogues, magazines, price lists and information I gathered at the Craft Hobby & Stitch Show this week.  I am looking forward to Thursday and Friday when I have quiet days available to brew up a large pot of tea, sit down at the table in the window armed with my trusty marker pen, and peruse it all.  Hope that those of you who went to CHSI enjoyed it as much as I did.

Craft Hobby & Stitch International: Part II In Which I Turn Digital

While at CHSI yesterday, I did manage to give my plastic a little bit of exercise, by investing in some software.  I had heard of digital scrapbooking, but I never thought it would fit with my crafting.  Given free rein, I do decoupage, stamping, furniture restoration and art journaling, none of which seem particularly suited to digital intervention.  However, I stopped off for a demonstration by Michelle at the Serif stand, and was immediately hooked on the possibilities of this piece of kit.

The best description I can come up with is that it's desktop publishing for crafters.  The software comes with a set of very intuitive templates for making everything from cards to cupcake wrappers to bags, scrapbook pages, menus and wedding invites, using a comprehensive assortment of backgrounds and embellishments.  Every shape, line and background can be customised, and you can scan in your own photos, art or pictures.

I have to admit to having been a bit sniffy at the thought of digital scrapbooking and digital art in general (don't worry, I'm over it).  However, I think I can see some possibilities in this that will fit fantastically well with my existing work.  Michelle showed some lovely pages during the demo that made me see beyond some of the templates.  I now have the opportunity to scan in some of my ephemera, book pages and art, and to manipulate it digitally (photo editing is included).  I understand that you can blend backgrounds and pictures together, tidy up, age or distress items (there's a gorgeous glass effect that I can imagine having great fun with).  And although I've been thinking "so where's the lovely texture going to happen", the answer, of course, is that it will happen once I've printed off my digital creations, and done my usual decoupage, art journaling or whatever with the end result.

I am so very excited at the thought of sitting down to play with my new kit; in fact, I'm almost squeaking!  But real life is intervening until at least Thursday, so expect future ramblings of delight when I finally get to play.  And this year's Elf School is going to have some very fine artwork indeed.

Craft Hobby & Stitch International: Part I

It's been a fascinating day.  I've been pounding the aisles of Hall 12 at the NEC Birmingham, examining the wares of hundreds of suppliers at the CHSI fair.  In the climate of general economic gloom, it was good to learn that visitors are up 15% over last year.  And all the exhibitors I chatted with reckoned that they had been very busy over the course of the show to date.

For those of you who went to CHSA, this is nowhere near as spectacular in terms of display.  There are no keynote pieces over which to drool, but instead a mixture of small completed works, blanks to decorate, and paints, pencils, fabrics, findings, beads and other delights.   The displays may be much more restrained, but there are still some lovely makes to catch your eye.  (Carmen, I thought you'd like to see the skull!)

Knowing my love of the Cow Parade, you won't be surprised to see that Daisy and YeeHaw (as I have named them) posed for me.  Sorry about the strange angles; although I'm tall, they were way above my head!

I was pleasantly surprised that the minimum order volumes for trade deals are such that I can actually manage to stop paying retail prices for the things I use the most.  I came home with a fabulous collection of catalogues (some of which I have already drooled over) and a desire for a business trip to Brussels to pick up an order from one of those catalogues.  (Craft, chocolate, fashion, Belgian beer...so very much worth the journey...)

During the course of the show, there was a free workshop programme, focusing on business development  issues, such as website traffic management, social networking for business, a presentation by the Federation of Small Businesses and a session to help with PR.  I've known these be chargeable at other shows, and thought that the free programme was a bonus.

For the first time this year, the show included Creativity on the Catwalk, using items from exhibitors at the show.  In addition to the items that you would expect to see featured - patterns, fabrics, yarn - there was also some creative millinery, bags and some very funky spray painted tops, as shown below.  I loved the use of quilting and batting in some really innovative designs, and the knits were gorgeous.

 

I'll let you know what I bought in the next post.  In the meantime, I need some lunch (albeit rather late), and to put my feet up on the sofa.  I only wish I'd worn my pedometer, as I could have felt truly virtuous tonight!

Off to Craft, Hobby & Stitch International Show - NEC

Tomorrow, I'm off to CHSI , described as "Europe's largest trade show for the creative crafts industry".  There are more than 250 exhibitors, of which I have a short (hmm) list of around 50 I really want to visit.

There are times when I have to remind myself that I am building a business, and I need to get out there as a business to buy at trade prices.  Having said that, I intend to cuddle my plastic fairly close to my chest.  Tomorrow is about finding out what I can sensibly buy on trade terms (I'm never going to survive paying retail prices for the ingredients for my makes, no matter how green and car booty I am when it comes to sourcing raw materials.  The paint, glue, paper and all the rest of the bitsas needed for making are still a tad pricey.)  Let's consider it an exercise in gathering info (and just maybe a little spending if appropriate).

So it's time to reconnoitre the hallowed halls of the NEC.  I'll report back on what's doing...

The Craft Fair That Wasn't

Or a (cheap) lesson in what not to do...?

I had booked the fair at a school on the basis of it being a) cheap and b) very near home but in the posher quarters.  So I hoped that there would be lots of arty teenagers (it having a specialist arts status) and that crafts would go down well.  Er...wrong.

I sold a stunning...nothing. Excuse me while I go and blush, and then laugh.  Next time can't be any worse, eh?

First, let me show you the stall.

We were right by the doors where people were loading, so it was a somewhat bracing start to a rainy and windy Sunday.  However, when the doors were closed, we were in a good position in the main hall, so had lots of foot traffic.  And from 11am to 1pm, it was really, really busy.

Above you can see some handmade teacup candles, the goblet candles (I was hoping for some Twilight-loving teens), decoupage hearts, and the lovely Mrs Prickles and her hog as made by my mum.

Then there were decorated silk journals, pencil boxes, petal baby hats, which I later took out of their bags and some tealight holders, plus magnetic hearts.  And some vintage silver plate birds.

There was a lot of interest in the baby hats, decoupage frames (just lurking to the right in the picture above) and my lovely pirate box (in the blog header).

So was it my stuff, or was it the fair, or the combination of both?  I started watching what people had bought, and most of the bags seemed to contain plastic toys for preschool children.  Aside from that, very little seemed to have been bought.  So I think my next run out needs to be a proper craft fair, and then I will get some feedback on the makes, and my current pricing.

I found a lovely enamel jug to decoupage for £1 and a stunning 50s book for a slightly overstated £2.  So grand spend for the day of £7, excluding a couple of gorgeous veggie samosas, and a flapjack.  Yum!

And at the end of the day, OH had a lovely and generous surprise.  The cake lady opposite (of the yummy flapjacks) discovered it was OH's birthday, and donated him a delicious heart cake from her remaining stock.  I tried to get a picture before it was attacked, and almost made it.  I would love to link to her website, but sadly the address she gave OH doesn't seem to be working.  If we see her again on the circuit, I will post her details.  She left her crumbs for the birds, so expect to see some low flying birds here in Middle England.

I'm sure I spy purple glitter on OH.  Very fetching!

Getting Ready for Craft Fair #2

So craft fair #2 is a mere day away, and so far I have:

• Unloaded and repacked all my stock that is ready to go, adding price stickers and updating my stock list
• Found my silvery cake stand to display some of the items
• Packed the contents of my craft drawers into a small bag and a little tool kit 
• Found some vintage items to sell, and researched prices
• Made some new items and updated some that weren't quite working

Here are the newbies.  Firstly some decoupaged hearts (some magnetic, one puffy and some ready to hang on the wall).  I'd like to think of them as being funky Valentines.

And while I was in the groove, some matching pencil boxes.

And finally, I've updated the silk paper journals with some pretty jewelled butterflies.  For their intended audience, I hope that's an improvement.

Jobs left to do:

• Pack the jewellery I'm taking to sell, as this is not exclusively a craft fair.
• Make up the cash float.
• Wrap OH's birthday prezzie.  Bless his heart, he's coming to help at the fair on his birthday.
• Eat.  Body and soul  aren't as together as they once were.
• Once the varnish has dried, pack the new makes
• Pile everything up ready to go in the hall
• Check directions for the venue
• Zzzzzzzz.  Lots.

WOYWW: The Mega-Making Edition

So it's been a busy week.  The big boxes of makes have been unloaded, reviewed, repacked and listed ready for the fair on Sunday.  Another list has been drawn up of things to make, and a fair amount of knuckling down has taken place. (Scary, huh?)

This time, I managed to get my act together at an earlier stage (although I did have just over 24 hours notice before my first craft fair), and ordered some bags for my bigger items.  I'd read some helpful suggestions at the Craftster forum about decorating your own bags, so I spent a happy hour stamping away on the bags and some labels for smaller paper bags.  I must admit to being taken with the flowers as part of the font; what do you reckon?

As Sunday's fair isn't exclusively a craft fair, I've been ferreting amongst my vintage finds with the intention of mixing vintage items amongst the crafty makes.  It'll be a voyage of discovery, but then most of this business stuff is exactly that at present.

For any of you with teenagers, I'd love to know what you think they might buy in terms of makes.  I have decorated box files, pen boxes and journals underway.  Any other thoughts?  Should I abandon production of anything I've started?

I'll show you more of the makes and the production process later this week.  Unusually, I've found myself a bit quiet this week, but I'm sure it won't last....

To see more crafty desks, head on over to Chief Desk Inspector Julia Dunnit at the WOYWW button to the left.